Painting art is a visual artistic medium in which artists use various pigments, such as oil, acrylic, watercolor, or gouache, to apply color to a surface, typically canvas or paper, to create two-dimensional artworks. Paintings can encompass a wide range of styles and subjects, offering artists a versatile means of self-expression and storytelling.
“Being an artist was all I ever wanted to do. I felt discouraged in high school and did not feel ‘good enough’ and also thought that perhaps art was a lonely career. I wanted to help others, so I went to teachers college with the intent of one day being an art therapist. Teaching however was not creative enough for me. Stress made me ill, but whenever I was at home sick I would create stories and illustrate them. One time I was off work for a week and I created a whole children’s book.
When I saw an ad for The Learning Connexion that said ‘turn your life into a work of art’ I knew that was what I wanted to do so I took a leap and moved to Wellington. Being around other people who loved art encouraged me to believe that I could actually be an artist.
Born in Israel, Tut Blumental has been passionate about art from a very early age, exploring and working with different methods and mediums. After graduating from Avni Institute of Art and Design, Tel Aviv, Israel, in 1994 she started work as a graphic designer in advertising agencies but continued painting in her spare time. In 2006, after immigrating to New Zealand with her family, she decided to follow her dreams and be a full-time artist.
Tut’s overwhelming pleasure comes from the joy of expressing her feelings through painting and the ability to share it with different audiences and lighting up their day. Over the years, she has learned to listen to her inner voice as well as different ideas and opinions. “I open my mind and keep believing in myself even when the road doesn’t always go as planned.
Self-taught artist, Claire Broughton first picked up a brush in 2002 and became enchanted with the flow and magical qualities of watercolour. She attended a workshop with New Zealand artist Susan Harrison-Tustain in 2010 which she found invaluable, along with all the support and encouragement she received from Susan. “She really helped me to polish the rough edges off my work, making it look more professional.”
A certificate in Drawing Nature, Science and Culture: Natural History Illustration through the University of Newcastle, Australia in 2016 provided an excellent understanding of drawing, especially botanical drawing which in turn has helped her to achieve realistic watercolour paintings.
Born in Australia, and having a talented mum as an artist, Elise De Silva reflects on her fondest memories of heading out to the foothills of Perth with some paints and a couple of sausages for the BBQ. “It was only recently that I realised I’ve been painting en plein-air since I was 10! I have to admit, while I enjoyed art, I never felt very good, but I dabbled all throughout my life.” Elise expands on her story.
Nature is my biggest inspiration. I’m always looking at cloud shapes, sunsets, interesting shapes, water and reflections too. New Zealand has so much beautiful coast-line, I’m never at a loss for inspiring subject matter. Boats also feature strongly in my work. I’m not a boatie myself, I get dreadfully sea sick, but I think boats are so evocative of freedom, serenity and adventure. I’m also drawn to any landscape with dramatic lighting. If there is no dramatic light, then a scene just doesn’t drive me. I want my art to evoke beauty and bring people joy and peace.
Gaylene Lonergan was taught the art of painting on silk by a master silk painter in Bali, Indonesia around 30 years ago. Since that time, she has further refined her learning and experimented extensively, adding many techniques in an effort to enhance her art. Gaylene tells us how she came to be where she is today.
Ihad always harboured a desire to be an artist, but did not know where to start. Serendipitously, my husband and I were travelling in Bali and I saw an opportunity to try my hand at silk painting under the guidance of a master silk painter. I developed an immediate connection with the medium and following a few lessons, I returned to New Zealand determined to continue with my newly found skills – I was hooked. Once I saw how people reacted to the work I had completed, I felt empowered and wanted to repeat the experience. Putting a smile on people’s faces when they attend an exhibition or purchase one of my works provides me with the ultimate satisfaction and the motivation to continue to produce works in my own style.
Born in East London, South Africa, Kerri-Lee Günter has been in New Zealand since 2009, living in and enjoying the majesty of Invercargill. She gets her passion and talent from her mother’s side of the family – mum, grandfather and great grandmother. “As a child I was given books with blank pages and encouraged to express my creativity in them.At the age of nine my mum realised I had a passion for art and decided to send me to art lessons after school and at 18
I decided to pursue my passion further.”
Starting with an Art & Design Certificate – 2007-2008 – at Buffalo City College in East London, Kerri-Lee went on to qualify with a Level 5 Diploma in Painting – 2010-2011 – at Aoraki Polytechnic in Ashburton, and also gained a Bachelor in Applied Media Arts – 2012-2014 at the Southern Institute of Technology in Invercargill.
When Lanie Wilton was growing up, she says, there was no shortage of talent in her family. Her mother, aunties and grandmother all carried a creative flair, if it wasn’t poetry or paint it was the use of fabric. Lanie was also very blessed to have had inspiring high school art teachers. They allowed her to make the art room her second home.
By Anita Nossiter
Lanie quite vividly remembers seeing Lisa Wisse-Robinsons’ stunning landscape paintings in a magazine while she was attending high school as an art student. She loves her earlier landscape work, composition and her colour use. After returning from her OE in 2006, she studied art and earned herself a Diploma in Art and Creativity from the Learning Connection. In 2009 she qualified as a high school art teacher at Massey University in Palmerston North.
Artists continually strive to bring a piece to life, to fill a canvas with something that personifies a thought or represents a feeling. For artist Pamela Crowther, this is the earliest part of the process. Just as a songwriter starts with no sound and starts with one part of an arrangement – as an artist, Pamela has to start somewhere too.
by Matt Mortimer
“Ibegin with the largest shapes filling in dark and light areas, usually in one colour, mainly using a brush for this. I’ll then place another three or four colours to start with, using retarding medium on palette – then it’s mix and begin. My technique varies considerably. I basically follow my instinct.” This instinctive approach works well, as she then branches out into the work, on the way to a sometimes-lengthy process to create each work. “Colour, colour, colour – the desire to change the blank white space into some exciting, thought-provoking or sometimes just decorative. Starting the painting takes courage and the need to prepare yourself for mental stimulation and then, near the end of the painting, dealing with exhaustion.”
Gwyn Hughes’ father and grandfather used to paint and it was a natural progression for him to become an artist. Gaining a National Diploma at Wrexham College of Art, Wales between 1980-1982, he was excited to explore his creativity and find his own path and as most artists do, he took inspiration from all of the great artists he came across. Gwyn tells us his story.
Ifirst came to New Zealand in the 70s through a joinery internship. I joined a band, secured a couple of residencies in Christchurch and stayed for five years. After moving back to Wales from New Zealand, I would pop into a gallery run by a local artist, David Williams. I started to draw birds and local landscapes, and paint watercolours, and I was encouraged to pursue the arts as a career. I completed my four-year Illustration and Design Diploma in two years. I have never been a great one for entering exhibitions or awards but know as an artist it’s how you put yourself out there. I have been very lucky throughout my art career and I have received loads of support from family and friends who have always offered encouragement and critique.