Painting art is a visual artistic medium in which artists use various pigments, such as oil, acrylic, watercolor, or gouache, to apply color to a surface, typically canvas or paper, to create two-dimensional artworks. Paintings can encompass a wide range of styles and subjects, offering artists a versatile means of self-expression and storytelling.
Judy Woods graduated with a Diploma in Fine Arts from Otago Polytechnic in 1985. Having always wanted to be a professional artist, she taught for 16 years and then decided to devote her time to her own career in art and see what happened. Finally motivated by the passing of her father and feeling some urgency to pursue her passion, she began to paint.
In the beginning, Judy battled with self-belief and struggled to produce artwork that she was satisfied with. However, having developed a process of embarking on a painting adventure with every work and not worrying about the outcome, she is producing work that excites and surprises her. “It’s a much more enjoyable experience to create work that I’m happy with and this has helped me grow in confidence.”
Jana Branca hails from South Africa, where she obtained a BA in Fine Arts from the University of Pretoria. “I remember a very pivotal moment at high school where my art teacher made a comment that she thought I could go on to be an artist. It was just a little thing she said in conversation, but it had a massively encouraging and life altering effect on me.”
Making, creating and re-creating has always been a very big part of her life and she says she couldn’t imagine a more exciting vocation. Having always been a ‘deep’ child, Jana loves having a vehicle for investigating and engaging with meaningful and weighty concepts. “Most of the things I like thinking about seem just out of my reach, and further wrestling with them through my art practice seems to make them just a little bit more graspable.”
Jocelyn Friis went to a Steiner school in South Africa, where creativity is a part of everyday school life. This set the foundation for her creative life. “I have always loved to create. I believe strongly in pursuing what you love but it was only during my ‘mid-life’ years that I truly found my way in art. I realised I was not living true to myself. I am now free to express what I cannot with words. I love the freedom of intuitively laying down paint on the canvas. I see so much intertwining between painting and life – so many lessons to learn.”
Her biggest obstacle has been her mindset. “I have really had to work on believing that my work is worthwhile and contributing to the good in this world. Professionally, it is always a challenge to stay on top of things, stay visible and market myself. Perseverance is key and being able to take the losses with the gains.”
Stephen Martyn Welch, known as Marty, has had no formal training in painting and as such, the beginning of his career was very difficult. Not many galleries were interested in what he had to offer. “I am 100% self-taught, which I am proud of because I worked really hard to get where I am today.”
He failed his school certificate in art, so he joined the army and started doing sketches for his fellow comrades, “so they could go to the local tattooist, where they proceeded to ruin my drawings on someone’s skin.” After the army, Marty worked in an Irish pub in Auckland. “I started off sketching images on a big white beer fridge door that was like a white board. From there people used to come in and ask me to draw different things from actors to comic characters.”
I gather ideas and inspiration from the natural environment of New Zealand: the trees, mountains, water, plants and flowers. My paintings strive to capture the wonders and mystery that surround us.
I love using oils because of their strong colours. In addition, I use transparent colours as much as possible because they vibrate in the light. Combining brushstrokes with music in my head, I create my world on canvas.
“Being an artist was all I ever wanted to do. I felt discouraged in high school and did not feel ‘good enough’ and also thought that perhaps art was a lonely career. I wanted to help others, so I went to teachers college with the intent of one day being an art therapist. Teaching however was not creative enough for me. Stress made me ill, but whenever I was at home sick I would create stories and illustrate them. One time I was off work for a week and I created a whole children’s book.
When I saw an ad for The Learning Connexion that said ‘turn your life into a work of art’ I knew that was what I wanted to do so I took a leap and moved to Wellington. Being around other people who loved art encouraged me to believe that I could actually be an artist.
Born in Israel, Tut Blumental has been passionate about art from a very early age, exploring and working with different methods and mediums. After graduating from Avni Institute of Art and Design, Tel Aviv, Israel, in 1994 she started work as a graphic designer in advertising agencies but continued painting in her spare time. In 2006, after immigrating to New Zealand with her family, she decided to follow her dreams and be a full-time artist.
Tut’s overwhelming pleasure comes from the joy of expressing her feelings through painting and the ability to share it with different audiences and lighting up their day. Over the years, she has learned to listen to her inner voice as well as different ideas and opinions. “I open my mind and keep believing in myself even when the road doesn’t always go as planned.
Self-taught artist, Claire Broughton first picked up a brush in 2002 and became enchanted with the flow and magical qualities of watercolour. She attended a workshop with New Zealand artist Susan Harrison-Tustain in 2010 which she found invaluable, along with all the support and encouragement she received from Susan. “She really helped me to polish the rough edges off my work, making it look more professional.”
A certificate in Drawing Nature, Science and Culture: Natural History Illustration through the University of Newcastle, Australia in 2016 provided an excellent understanding of drawing, especially botanical drawing which in turn has helped her to achieve realistic watercolour paintings.